Court awarded Best Feature Film and Mary Kom declared Best Popular Film providing Wholesome Entertainment
Vijay to be given Best Actor award for Kannada film Nanu Avanalla Avalu; Kangana Ranaut Best Actress for Queen
Baljinder Kaur, Best Supporting Actress for Pagdi the Honour
Bobby Simha, Best Supporting Actor for the film Jigar Thanda
Srijit Mukherjee given Best Direction Award for Bengali Film Shotushkone
The 62nd National Film Awards 2014 were announced today by the Chairpersons of the three juries on Feature Films, Non Feature Films and Best Writing on Cinema. The Feature Film Central panel was headed by Shri P. Bharathiraja a legend in Tamil cinema and National Film Award winner. The Central panel comprised of 11 members including Chairman, the Non Feature jury was headed by Shri Kamal Swarup and comprised of 7 members including the Chairman. The jury on Best Writing on Cinema was headed by Shri Govind Kumar (Madhan) and comprised of 3 members including Chairperson.
Prior to the announcement of the awards, the Chairpersons of the three juries and members of the jury presented their reports to Minister for Finance, Corporate Affairs and Information & Broadcasting, Shri Arun Jaitley. Secretary (I&B), Shri Bimal Julka was also present on the occasion. Shri Jaitley appreciated the efforts put in by the jury members in deciding the awards in various categories and mentioned that the efforts would go a long way in promoting the quality of good cinema in the country.
The awards in the various categories are as follows:
S.No.
|
Name of Award
|
Name of Film
|
Awardees
|
Medal
& Cash Prize
|
Citation
| |
| BEST FEATURE FILM |
Court
(Marathi, Hindi, Gujarati & English)
|
Producer:
Zoo Entertainment Pvt. Ltd.
Director :
Chaitanya Tamhane
|
Swarna Kamal and
2,50,000/- each to
the Producer and Director
| COURT is a powerful and stark depiction of the mundaneness of judicial procedure revealed brilliantly by the film’s form, forcing us to reflect on the heart-wrenching insensitivity of institutional structures. | |
| INDIRA GANDHI AWARD FOR BEST DEBUT FILM OF A DIRECTOR |
Asha Jaoar Majhe
(Bengali)
|
Producer: F.O.R Films Pvt. Ltd.
Director :
Aditya Vikram Sengupta
|
Swarna Kamal and
1,25, 000/- each to
the Producer and Director
| For the portrayal of routine ordinary life with extraordinary cinematic finesse. | |
| BEST POPULAR FILM PROVIDING WHOLESOME ENTERTAINMENT |
Mary Kom
(Hindi)
|
Producer:
Viacom 18 Motion Pictures
Director :
Omung Kumar
|
Swarna Kamal and
2,00,000/- each to
the Producer and Director
| For an inspiring tale of a woman who becomes a national icon through her determined pursuit of sporting excellence. | |
| BEST FILM ON SOCIAL ISSUES | Chotoder Chobi
(Bengali)
|
Producer:
Shree Venkatesh Films Pvt. Ltd.
Director :
Kaushik Ganguly
|
Rajat Kamal and
1,50,000/- each to
the Producer and Director
| For its empathetic portrayal of marginalized people and their struggle for a life of dignity. | |
| BEST FILM ON ENVIRONMENT CONSERVATION/
PRESERVATION
| Ottaal
(Malayalam)
| Producer:
Director Cutz Film Company (P) Ltd.
Director :
Jayaraj
| Rajat Kamal and
1,50,000/- each to
the Producer and Director
| Ottal, a visual poem, expresses the beauty and serenity of the protagonist’s rural environment and a way of life whose value is measured by the poignancy of its loss. | |
| BEST CHILDREN’S FILM |
Kaakkaa Muttai
(Tamil)
&
Elizabeth Ekadashi
(Marathi)
|
Producer:
Grass Root Film Company
Director :
Manikandan M
&
Producer:
Essel Vision Productions Ltd.
Director :
Paresh Mokashi
|
Swarna Kamal and
1,50,000/- each to
the Producer and Director
(Cash component to be shared between films)
| Kaakkaa Muttai for narrating a charming story of two brothers who are unaware of their deprived status and have a confrontation with the tastelessness of globalization. Elizabeth Ekadashi is a delightful tale that reaffirms children's ability to negotiate the complexities of life with relative ease. | |
|
BEST DIRECTION
|
Chotushkone
(Bengali)
|
Srijit Mukherji
| Swarna Kamal and
2,50,000/-
| For its brilliantly reflexive use of the cinematic idiom through a playful and innovative mise-en-scene that tautens to an unexpected and gripping climax. | |
| BEST ACTOR | Nanu Avanalla Avalu (Kannada) |
Vijay
|
Rajat Kamal and
50,000/-
| For his subtle and non-stereotypical playing of a woman trapped in a man’s body, portraying a gamut of emotions as s/he struggles through confusion, rejection and humiliation to finally chart her own course with confidence and dignity. | |
|
BEST ACTRESS
|
Queen
(Hindi)
|
Kangana Ranaut
| Rajat Kamal and
50,000/-
| For an endearingly etched out performance that is grounded in contextual specificity and at the same time is disarmingly spontaneous as to appear almost improvisatory. | |
|
BEST SUPPORTING ACTOR
|
Jigarthanda (Tamil)
|
Bobby Simhaa
| Rajat Kamal and
50,000/-
| For an engaging portrayal of a dreaded Mafia don who plays both the villain and the comic with a rare flamboyance and abandon. | |
|
BEST SUPPORTING ACTRESS
|
Pagdi The Honour
(Haryanavi)
|
Baljinder Kaur
|
Rajat Kamal and
50,000/-
| For a very expressive performance as a gritty rustic woman who struggles as wife and mother to keep her family intact in a society obsessed with patriarchal honour. | |
|
BEST CHILD ARTIST
|
Kaakkaa Muttai
(Tamil)
| J. Vignesh
&
Ramesh
| Rajat Kamal and
50,000/-
(cash component to be shared)
| For their portrayal of inseparable siblings living in a slum who innocently struggle with rare dignity to acquire what attracts them in this vast market of products unleashed by a liberal economy only to realise the harsh reality of invincible class boundaries. | |
| BEST MALE PLAYBACK SINGER | Haider
(Hindi)
|
Sukhwinder Singh
(Song: Bismil)
| Rajat Kamal and
50,000/-
| For a powerful rendition which effectively reflects the agony and anger of the protagonist. | |
| BEST FEMALE PLAYBACK SINGER | Saivam
(Tamil)
| Uttara Unnikrishanan
(Song: Azhagu)
| Rajat Kamal and
50,000/-
| For evoking an emotional resonance through the purity and innocence of her voice. | |
| BEST CINEMATOGRAPHY |
Chotushkone
(Bengali)
| Sudeep Chatterjee | Rajat Kamal and
50,000/- each
| For exhibiting a wide spectrum of space and time while effortlessly knitting the emotional fabric of the film. | |
| BEST SCREENPLAY
i) Screenplay Writer (Original):
ii) Screenplay Writer (Adapted) :
iii) Dialogues :
|
i. Chotushkone
(Bengali)
ii. Ottal
(Malayalam)
| Srijit Mukherji Joshy Mangalath
Vishal Bhardwaj
| Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
| Chotushkone for the masterful telling of a taut suspense thriller which weaves a sinister web around the journey and lives of four egotistical characters. Ottal for beautifully transposing Anton Chekov’s short story onto a canvas of nature that enhances the shades of the original. Haider for the multi layered and resonant dialogues that evoke angst and passion with crispness and brevity. | |
| BEST AUDIOGRAPHY
i) Location Sound Recordist
ii) Sound Designer
iii) Re-recordist of the final mixed track
|
i. Khwada
(Marathi)
ii. Asha Jaoar Majhe
(Bengali)
|
Mahaveer Sabbanwal
Anish John Anirban Sengupta & Dipankar Chaki | Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
| Khwada for its excellent live sound quality which skillfully captures all the ambient sounds with the right tonal balance. Asha Jaoar Majhe for creating a brilliant soundscape which enhances the narrative even in the absence of the spoken word. Nirbashito for the seamless movement from chaos into the quietness of solitude while integrating various elements of sound. | |
| BEST EDITING | Jigarthanda (Tamil) | Vivek Harshan | Rajat Kamal and
50,000/-
| For structuring the different narratives of raw cruelty and urban cunning that eventually intermingle with positive and humourous overtones through skillful editing. | |
| BEST PRODUCTION DESIGN | Nachom – IA Kumpasar
(Konkani)
| Aparna Raina | Rajat Kamal and
50,000/-
| For convincingly recreating spaces from a different era and with minute attention to detail. | |
| BEST COSTUME DESIGNER | Haider (Hindi) |
Dolly Ahluwalia
| Rajat Kamal and
50,000/-
| For capturing the essence of the characters and moods with creative flourish. | |
| BEST MAKE-UP ARTIST | Nanu Avanalla Avalu (Kannada) | Nangaraju &
Raju
| Rajat Kamal and
50,000/-
| For the realistic creation of gender duality in a character through different phases of life. | |
| BEST MUSIC DIRECTION
a) Songs
b) Background Score
| Haider
(Hindi)
Nineteen Eighty Three (Malayalam)
|
Vishal Bhardwaj
Gopi Sunder
|
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
| For developing the conflict of the inner and outer landscape through haunting music. For maintaining the tempo of the film with an in-sync background score. | |
| BEST LYRICS | Saivam (Tamil) (Azhagu) |
NA. Muthukumar
| Rajat Kamal and
50,000/-
|
For embodying the world as seen through the eyes of a child using common place images to make an appeal to an adult world.
| |
| SPECIAL JURY AWARD |
Khwada (Marathi)
|
Director: Bhaurao Karhade
| Rajat Kamal and
2,00,000/-
| For a hard-hitting but restrained narration of the harsh realities of a nomadic shepherd community who are in search of stability. | |
| BEST CHOREOGRAPHY |
Haider (Hindi)
(Bismil)
|
Sudesh Adhana
| Rajat Kamal and
50,000/-
| For the evocative fusion of performative grammars, interweaving a staccato whirling of masculinised bodies with larger than life puppets, to create a dance that is firmly embedded within the narrative. | |
|
BEST FEATURE FILM IN EACH OF THE LANGUAGE SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION
| |||||
a)
| BEST ASSAMESE FILM | Othello | Producer:
Artha Films
Director :
Hemanta Kumar Das
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its tangential evocation of the Shakespeare play as it explores mistrust and prejudice in a society ridden with political turmoil. | |
b)
| BEST BENGALI FILM |
Nirbashito
| Producer:
Kaushik Ganguly Productions
Director :
Churni Ganguly
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its poignant articulation of the suffocation one experiences when exiled in a land that is not one’s own, as a price that is paid for asserting one’s right to freedom of expression. | |
c)
| BEST HINDI FILM |
Queen
|
Producer:
Phantom Films Pvt. Ltd. & Viacom 18 Motion Pictures
Director :
Vikas Bahl
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For a delightful portrayal of a young girl who emerges from her cocoon of diffidence and middle-class mores to discover the pleasure and fulfillment of a life lived on her own terms. | |
d)
| BEST KANNADA FILM | Harivu |
Producer:
Om Studio
Director :
Manjunath S. (Mansore)
|
Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For the lingering pathos of a father’s struggle to provide medical treatment to his only child and his long trek back home with his son’s corpse. | |
e)
| BEST KONKANI FILM | Nachom – IA Kumpasar | Producer: Goa Folklore Productions
Director: Bardroy Barretto
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its nostalgic recovery of a distinctive musical legacy, as told through the rollercoaster lives of its practitioners, that has remained unsung despite its influence upon Bombay cinema. | |
f)
| BEST MALAYALAM FILM | Ain | Producer: 1: 1: Enternatments
Director: Sidhartha Siva
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its gently nuanced narrative in which a carefree young man embraces responsibility and compassion for the lives of others. | |
g)
| BEST MARATHI FILM | Killa |
Producer: JAR Pictures & M R Film Works
Director: Avinash Arun
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its warm portrait of a young boy as he emerges from the shadows of dislocation and loss in an unfamiliar environment to embracing what life has to offer. | |
h)
| BEST ODIYA FILM |
Aadim Vichar
| Producer:
Mohapatra Movie Magic Pvt. Ltd.
Director:
Sabyasachi Mohapatra
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its vibrant portrayal of a tribal community whose enabling humanism shows a way out of pettiness and prejudice. | |
i)
| BEST PUNJABI FILM |
Punjab 1984
|
Producer: White Hill Production India Pvt. Ltd.
Director: Anurag Singh
|
Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its searing portrayal of how ordinary lives and simple dreams are shattered in a time of militancy. | |
j)
|
BEST TAMIL FILM
|
Kuttram Kadithal
|
Producer:
JSK Film Corporation
Director:
Bramma.G
|
Rajat Kamal and
1,00,000/- each
to the Producer and Director
| ||
k)
|
BEST TELUGU FILM
|
Chandamama Kathalu
| Producer: Working Dream Production
Director: Praven Sattaru
|
Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its skilful interweaving of stories featuring a variety of characters bound together by a common anxiety about securing their future. | |
27.
|
BEST FEATURE FILM IN EACH OF THE LANGUAGE SPECIFIED OTHER THAN SCHEDULE VIII OF THE CONSTITUTION
| |||||
a)
| BEST HARYANVI FILM | Pagdi The Honour | Producer: V R Entertainers
Director:
Rajeev Bhatia
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For capturing honestly the abrasive fabric of a patriarchal society that places an inordinate premium on honour, and also offering the possibility of liberation through an acknowledgement of others’ pain. | |
b)
| BEST RABHA FILM | Orong | Producer: Suraj Kr. Duwarah,
Aucto Creation
Director: Suraj Kr. Duwarah
| Rajat Kamal and
1,00,000/- each
to the Producer and Director
| For its sensitive portrayal of a young man as he drifts through a life that offers little promise or excitement. | |
28.
| SPECIAL MENTION | |||||
a)
| Ain (Malayalam) | Musthafa | CERTIFICATE | |||
b)
| Nachom – IA Kumpasar
(Konkani)
| Palomi Ghosh | CERTIFICATE | For her extraordinarily energetic performance as a girl whose infectious passion for singing and love comes at enormous personal cost. | ||
c)
| Killa (Marathi) & Bhootnath Returns (Hindi) | Parth Bhalerao | CERTIFICATE | For lovable portrayals with rare aplomb of an impish and caring child in both Killa and Bhootnath Returns. | ||
NON-FEATURE FILMS
S. No.
|
Name of Award
|
Name of Film
|
Awardee
|
Medal & Cash Prize
|
Citation
|
1.
|
BEST NON FEATURE FILM
|
Tender is the Sight
|
Producer: Films Division
Director: Torsha Banerjee
|
SWARNA KAMAL
&
1,50,000/-
each to the Producer & Director
|
For its sensitive and lyrical portrayal of ten-year-old Hassirbullah, who, though visually challenged, creates a symphony of sounds. The film captures his universe, his life and his talent, softly and gently.
|
2.
|
BEST DEBUT FILM OF A DIRECTOR
|
Goonga Pahalwan
|
Producer: Drishti Media
Director: Mit Jani, Prateek Gupta & Vivek Chaudhary
|
RAJAT KAMAL
&
75,000/- each to the Producer &
Director *
|
For its fun, yet mature portrayal of its protagonist, a champion at the Deaf Olympics. It pointedly questions the politics that impede this capable athlete’s route to the Rio Olympics.
|
3.
|
BEST ANTHROPOLOGICAL/
ETHNOGRAPHIC FILM
|
Qissa – e – Parsi : The Parsi Story
|
Producer: Public Service Broadcasting Trust
Director: Divya Cowasji & Shilpi Gulati
|
RAJAT KAMAL
&
50,000/- each to the Producer
&
50,000/- Director *
|
For its light-hearted yet comprehensive telling of the story of India’s much loved community, the Parsis. It explores their history, the philosophy of their faith, their enterprise and their way of life, with delight and laughter.
|
4.
|
BEST BIOGRAPHICAL/ HISTORICAL RECONSTRUCTION
|
Aamaar Katha : Story of Binodini
|
Producer: Films Division
Director: Tuhinabha Majumdar
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its stylistic and poetic portrayal of the 19th century theatre actress Binodini Devi’s autobiography.
|
5.
|
BEST ARTS /CULTURAL FILM
|
Kapila
|
Producer: Films Division
Director: Sanju Surendran
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its unique and expressive rendering of Kapila’s sheer artistry over Kudiyattam, the world’s oldest theatrical art form.
|
6.
|
BEST PROMOTIONAL FILM (to cover tourism, exports, crafts, industry etc)
|
Documentation of Clay Image Makers of Kumartuli
|
Producer: Indira Gandhi National Centre for the Arts
Director: Ranajit Ray
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its extensive study of the craft and community of the clay makers in the context of changing times.
|
7.
|
BEST ENVIRONMENT FILM INCLUDING AGRICULTURE
|
I Cannot Give You My Forest
|
Producer: Top Quark Films Pvt. Ltd.
Director: Nandan Saxena & Kavita Bahl
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its concerned and empathetic exploration of the tribal communities in Rayagada, Orissa, who derive their sustenance and identity from the forest.
|
8.
|
BEST FILM ON SOCIAL ISSUES
|
Can’t Take This Shit Anymore
&
Daughters of Mother India
|
Director: Vinod Kapri
Producer: Bhagirathi Films
Director: Vibha Bakshi Producer: V2 Film & Design Pvt. Ltd. |
RAJAT KAMAL
&
50,000/- each Producer & Director
(Cash Component to be shared)
|
For incisively highlighting the acute desperation of rural women and the problems they face from the lack of basic and essential facilities for sanitation.
For explicitly and determinedly turning the spotlight on the burning issue of rape in the country and the brutal mentality that drives it.
|
9. b
|
BEST EDUCATIONAL FILM
|
Komal
&
Behind the Glass Wall |
Producer: Climb Media India Pvt. Ltd.
Director: Prashant Shikare
&
Producer: Gaahimedia
Director:
Aruna Raje Patil
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
(Cash Component to be shared)
|
KOMAL – For effectively and concisely communicating essential information to children to protect themselves from sexual abuse.
BEHIND THE GLASS WALL –For its exhaustive exploration of the world and challenges of the autistic and their caregivers.
|
10.
|
BEST EXPLORATION/
ADVENTURE FILM (TO INCLUDE SPORTS)
|
Life Force – India’s Western Ghats
|
Producer: Grey Films India Pvt. Ltd.
Director: Nallamuthu Subbiah
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For taking the viewer deep into the Western Ghats and engagingly revealing its rare and incredible biodiversity.
|
11. 11
|
BEST INVESTIGATIVE FILM
|
Phum Shang
|
Producer: Films Division
Director: Haobam Paban Kumar
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its quiet and fair-hearted investigation of the fishermen communities and their floating dwellings on Loktak Lake, Manipur, even as government agencies and conservationists struggle to save the lake.
|
12.
|
BEST ANIMATION FILM
|
Sound of Joy
|
Producer: Aura Cinematics
Director: Sukankan Roy
Animator: Rishi Sanay
|
RAJAT KAMAL
&
50,000/- each to the Producer, Director & Animator
|
For its flowing and engaging animation style in telling the stories from Vivekananda’s childhood and its emphasis on developing the power of concentration.
|
13.
|
SPECIAL JURY AWARD
|
A Poet, A City & A Footballer
|
Producer: Films Division
Director: Joshy Joseph
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For demonstrating the power of cinema in weaving together life, poetry and reflections of its protagonist in the face of impending death.
|
14.
|
BEST SHORT FICTION FILM
|
Mitraa
|
Producer: Athaansh Communications
Director: Ravindra Jadhav
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its empathetic portrayal of its pivotal character’s sexual orientation, and the question of freedom around it. Shot in monochrome, the film adds to the antiquity for the era it is set in.
|
15.
|
BEST FILM ON FAMILY VALUES
|
Towards the Silver Lining
|
Producer: Satyajit Ray Film & Television Institute
Director: Bhabani Tamuli
|
RAJAT KAMAL
&
50,000/- each to the Producer & Director
|
For its sensitive portrayal of a paraplegic girl who builds a house for her mother, and the touching bond between them.
|
16.
|
BEST DIRECTION
|
Aaranyak
|
Director: Renu Savant
|
SWARNA KAMAL
&
1,50,000/-
|
For its existential definition of layered thoughts and emotion that move through a reflective search to end in an ironic arrival into the real.
|
17.
|
BEST CINEMATOGRAPHY
|
Aamaar Katha: Story of Binodini
|
Cameraman: Indraneel Lahiri
|
RAJAT KAMAL
&
50,000/- to Cameraman
|
For its stunning and sensual visual imagery that brings the story of Binodini alive.
|
18.
|
BEST AUDIOGRAPHY
|
Tender is the Sight
|
Audiographers :
Anindit Roy,
Ateesh Chattopadhyay,
&
Ayan Bhattacharya
|
RAJAT KAMAL
&
50,000/-*
|
The film travels through the imaginary line of manifest and unmanifest worlds of visual and sound that balance effortlessly, imprinting the audience with a haunting aural experience.
|
19.
|
BEST EDITING
|
Tigress Blood
|
Editor: Andi Campbell Waite
|
RAJAT KAMAL
&
50,000/-
|
For seamlessly structuring the inner worlds of four tigress sisters through an incisive cinematic arrangement of their outer spaces.
|
20.
|
BEST NARRATION/ VOICE OVER
|
Nitya Kalyani – Oru Mohiniyattam Patham
|
Narrator: Ambooty Devi
|
RAJAT KAMAL
&
50,000/-
|
For the depth of its research and its poetic rendition of the history of Mohinyattam across the mighty empires along the riverbanks of Tungabhadra to Thanjavur.
|
21.
|
SPECIAL MENTION
|
a) Gunjaa
b) Seek and Hide
c) 5 O’Clock Accident
|
Director: Mrinal Dev
Director: Manoj Kumar Nitharwal
Director: Ruchir Arun
|
CERTIFICATE
|
For poignantly telling the story of Gunjaa, a young girl in Bihar, and her innocent but ironic understanding of death.
For its fine juxtaposition of a child’s expression of fear with the unawareness of the parents to elucidate a complex story of paedophelia.
For its gritty story and compelling treatment of a voyeuristic teenager and the darkness that comes with his obsession.
|
Best Book on Cinema
Title of the Book
|
Author
|
Publisher
|
Citation
|
Silent Cinema:
(1895-1930) |
Swarna Kamal and Rs 75000/- to the Author: Pasupuleti Purnachandra Rao
|
Swarna Kamal and Rs 75000/- to the Publisher: EMESCO BOOKS
|
Pasupuleti Purnachandra Rao’s work on silent cinema commands attention. It is as worthy of a scholar’s consideration as a common cinegoer’s time. He walks down the memory lane to come up with a work that is likely to go down as a benchmark for serious research in Indian cinema.
|
Special Mention
Title of the Book
|
Author
|
Citation
|
Pride of Tamil Cinema (1931-2013
|
Only Certificate:
G. Dhananjayan |
G. Dhananjayan’s Pride of Tamil Cinema deserves careful consideration for the sheer expanse of the work. The book is a painstaking effort which will have a relevance many years down the line.
|
Best Film Critic
Name of the Critic
|
Citation
|
Swarna Kamal and Rs 75000/- to the Critic: Tanul Thakur
|
Tanul Thakur’s work is like a breath of fresh air. In brevity lies the strength of Thakur’s analysis of crests and troughs of Indian cinema. Without being didactic, Thakur is able to provide a different perspective to seemingly disparate elements and string them together in a lucid fashion.
|
Courtesy: pib.nic.in
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